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MedvedevaРІР‚в„ўs apparent fascination with doom and death has continued into 2018 with her short program in Pyeongchang. But no matter how inappropriate you might believe her decision to be, judges who saw the resulting program during the 2016РІР‚вЂњРІР‚в„ў17 figuring skating season (where she won gold at every competition she skated in) thought she skated beautifully. Only recently have skaters been allowed to skate to music with lyrics (as opposed to purely instrumental arrangements), and many people thought that MedvedevaРІР‚в„ўs interpretation of 9/11-related audio as РІР‚СљlyricsРІР‚Сњ was tacky and disrespectful.

#EVGENIA MEDVEDEVA CHOPIN MUSIC FREE#

One need look no further than her 2017 World Championship-winning free skate to the soundtrack of Extremely Loud & Incredibly Close as part of that particular routine, she performed a footwork sequence to real audio recordings from 9/11 news broadcasts, which included the voice of President George W. Beneath their artistry and elegance, MedvedevaРІР‚в„ўs most recent performances, both before and during the Olympics, would seem to indicate that sheРІР‚в„ўs spent an inordinate amount of time thinking about human mortality. Many of MedvedevaРІР‚в„ўs programs appear to echo a consistent statement: The looming specter of death waits for us all. MedvedevaРІР‚в„ўs past routines have touched on death, 9/11, and getting hit by a train The weird, macabre sentiments in her routines donРІР‚в„ўt feel like coincidence so much as they feel like a peek into a someoneРІР‚в„ўs morbid psyche.

At the 1996 World Championships, American skater Michelle Kwan became the temptress known as SalomР“В© in her free skate two years later, at the 1998 Olympics in Nagano, Japan, she performed as a heavenly cherub to her РІР‚Сљ Lyra Angelica.РІР‚СњР”Р„t the 2010 Olympics in Vancouver, Korean skater Yuna Kim was a flirty, winking Bond girl in her Olympic short program, then performed to George Gershwin for her free skate.Р”Р„nd elsewhere in the sport, there are ice dancing pairs like Meryl Davis and Charlie White or Tessa Virtue and Scott Moir whoРІР‚в„ўve become incredibly famous for selling artificial yet completely believable romance during their routines.Р”Р„s amazing as these programs and performances are, itРІР‚в„ўs easy to feel like youРІР‚в„ўre never seeing the real skater behind the routine.Р”В«ut I donРІР‚в„ўt think thatРІР‚в„ўs necessarily true of Medvedeva, whose recent programs all tend to align with similar themes. Then, when those skaters eventually take the ice, they spend two or four minutes, depending on whether theyРІР‚в„ўre performing a short program or a long one, embodying different characters. Whatever the case may be, these profiles tend to reduce skatersРІР‚в„ў backstories to easily consumable morsels.

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